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-6.0℃
JEONJU    : PM

Midnight Cinema

The Cleaners The Cleaners

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Midnight Cinema | Midnight Cinema | Hans BLOCK, Moritz RIESEWIECK | Germany, USA | 2018 | 88min | DCP | color | Documentary
Director Hans BLOCK, Moritz RIESEWIECK Screenplay N/A Producer Christian BEETZ Cinematography Axel SCHNEPPAT, Max PREISS Art Director N/A Editor Philipp GROMOV, Hansjorg WEIßBRICH, Markus CM SCHMIDT Sound Karsten HOFER Music Paradox Paradise Cast N/A

Program Schedule

Code Date Time Theater Info Ticket
292 2018. 05. 05 23:59 CGV Jeonjugosa 4
HEK19
Ticket Wish
293 2018. 05. 05 23:59 CGV Jeonjugosa 7
HEK19
Ticket Wish
645 2018. 05. 09 20:30 CGV Jeonjugosa 1
HEK19GV
Ticket Wish
924 2018. 05. 12 14:30 CGV Jeonjugosa 4
HEK19GV
Ticket Wish
  • Review

    We live under the influence of social media dominating the daily life of human beings these days. How are the channels of new communication managed, full of information, assertions, etc.? [#i_]The Cleaners [_i#]looks into the process of managing, select\ing, and distributing contents on the global media platforms. Co-directed by Hans Block and Moritz Riesewieck, it begins at a corner of the internet company in the Philippines, where the content moderators search for videos on the web all day. The deletion and entry of videos depend on them. [#i_]The Cleaners [_i#]raises controversial issues on the point. Verification by filtering Terrorism, sex, political criticism is it a necessary evil in the age of user-centered content? The moderators revering value neutrality and objectivity are Duterte’s supporters or faithful Christians in the offline world. [JANG Byungwon]

Director

Hans BLOCK

Both were born in 1985 in Germany. They work collaboratively under the label ´Laokoon´ named after the legendary Trojan seer who revealed the Trojan Horse as a dangerous fraud. In their works, Riesewieck and Block aim to reveal the Trojan horses of our time. Their projects which they develop in various media forms start with investigations and end up as striking, complex narrations. The Cleaners is their first long-length documentary.

Moritz RIESEWIECK