|145||2016. 04. 29||17:30||Jeonju Cinema Town 5||HEK15|
|450||2016. 05. 02||21:30||MEGABOX Jeonju(Gaeksa) 8||HEK15GV|
|760||2016. 05. 05||21:30||MEGABOX Jeonju(Gaeksa) 9||HEK15|
“To be amazed is to interrogate, to question.” The film explores how to define spectatorship in cinema. In the film, different concepts of spectatorship intersect within a story. What is more cinematic? Citizen Kane on a mobile phone or soccer game on a cinema screen? What is a film of uncertainty? How diverse is amazement? What is the right and duty of audience? Questions stretches everywhere in this intellectual essay. It goes into the nature of watching a film through images on screen and audience responses. Through interviews with film theorists Laura Mulvey and Andre Gaudreault, film critic Olaf Moller, and filmmakers Guy Maddin and F.J. Ossang, it covers different genres and styles, essays and manifestoes, and expressionism and surrealism. (JANG Byungwon)
|Cinematography||Edgar PERA, Luis BRANQUINHO|
|Art Director||Ricardo PRETO|
|Sound||Pedro GOIS, Pedro MARINHO|
|Cast||Diana SA, Miguel BORGES, Valdemar SANTOS, Adelaide TEIXEIRA|
Born in 1960, Lisbon. He studied Psychology and Film at the Portuguese National Conservatory.?Lisbon Revisited(2014) was officially selected at Locarno lnternational Film Festival. The Amazed Spectator was invited at lnternational Film Festival Rotterdam 2016.
Which one is more cinema? ? Citizen Kane on a mobile phone or a football game projected in a cinema theatre? The battle is on the screen.