|235||2016. 04. 30||17:00||CGV Jeonjugosa 1||HEK15GV|
|428||2016. 05. 02||17:30||CGV Jeonjugosa 4||HEK15GV|
|713||2016. 05. 05||11:00||CGV Jeonjugosa 7||HEK15|
Ryohei, a Japanese writer, visits Korea for the release of his novel. While trying to find his way, he meets Eunhee who shows him the way. The film follows the writer who has an experience as a writer in an unfamiliar city and Eunhee who is like the character from his novel. His actress girlfriend appears out of nowhere with her face covered up and screams at him while Eunhee’s ex-boyfriend who is married rushes to Namsan to see her. Kim Jongkwan, who captured the delicate relationships between characters in his previous work, strikes up a conversation with contemporary youth through his second film. He stresses that our daily lives are a drama of predicaments bound by relationships and what we fantasize is the beginning of a new relationship that transcends all of it. Ryohei meeting Eunhee at the end is the beginning of that relationship. (LEE Sang-yong)
|Producer||Eunsil Sally LEE, KIM Taehun|
|Art Director||YOU Hyojung|
|Cast||HAN Yeri, IWASE Ryo, LEE Heejun, KWON Yul|
Born in 1975, Daejeon. He is a graduate of Seoul Institute of the Arts and majored in Film. How to Operate a Polaroid Camera(2004) was screened at several film festivals including the 6th Jeonju International Film Festival and the 8th JeonBuk Independent Film Festival. Slowly(2005) and Phantoms of the Archive(2014) were screened and awarded at domestic and international film festivals. In 2008, he filmed and theatrically released Lovers(2008), a compilation of his own short films. He directed Come, Closer(2010), a full-length omnibus film, which was screened in the Panorama section of the 15th Busan International Film Festival. Worst Woman is his second feature film.
Ryohei is a writer who drives the characters in his novels into a corner to make a tragic story comes to Seoul for a book launching event. The day he arrives in Seoul, he meets Eunhee, a woman in trouble just like in his novel. A movie that takes a delicate look at the sensitivity of characters.