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4th

[Section 2003] Documentary Biennale: A Voyage in Seven Parts Numero Zero(0번) Jean Eustache (장 외스타슈) France 1971 120min 35mm color Feature Film Documentary

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Film Info

Review

We can see an old lady behind a table and in the foreground of the frame is someone´s back with black cloths on. In the next shot the camera has approached near enough to see the hand of the old woman drop\ping cigarette ashes continuously. As the shots of these two repeat to appear, the film invites us to the moment when the grandmother tells her grandson her life story. As director said, "A film is made naturally as soon as the camera is rolling", this film rejects the manipulative montage in order to respect the time when his grandmother, Odette Robert, tells her story without scenario. Instead of subjecting the film to the narrative structure, the director choose to show every moment of the little conversation, in another word let story forms itself through the behavior of the individuals. Like his film <Une Sale Histoire>, <Numero Zero> lets the wave of discontinuous memory alive in the narration of characters, personality of people, irony, etc flow in the present continuous time. In this film, a word is not a language, but a pure act for us to recognize time and a device for telling an invisible story. <Numero Zero> records honestly the moment of a pure action that is the starting point of every story like its name is the starting point of every numbers.

Credit

Director      Jean Eustache
Cinematography      Philippe Theaudiere
Sound      Jean-Pierre Ruh
Editor      Jean Eustache
Cast      Boris Eustache, Jean Eustache, Odette Robert

Director

  • Jean Eustache (장 외스타슈)
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4. 다큐멘터리 피칭
5. 지프토크 두시의 데이트, 한국영화를 만나다
6. <잡식가족의 딜레마> GV
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이전 다음

제15회 전주국제영화제 개막작 기자회견

페이스북 트위터

1. 지프토크 비하인드 씬 <조류 인간>
2. 디지털 삼인삼색 2014 기자회견
3. 전주프로젝트마켓 극영화 피칭
4. 다큐멘터리 피칭
5. 지프토크 두시의 데이트, 한국영화를 만나다
6. <잡식가족의 딜레마> GV
7. 지프토크 비하인드 씬 <이것이 우리의 끝이다>
8. JPM의 밤

닫기